Showing posts with label thresholds. Show all posts
Showing posts with label thresholds. Show all posts

Thursday, May 30, 2013

Pondering Pilgrimage

Now that the pilgrimage is a few days behind me and I've caught up on my sleep (mornings come early in northern Wales . . . even earlier when there's a tree full of wood doves nesting outside your bedroom window) I'm finally having some time to reflect on my experience.   

Like many of the pilgrims, I embarked on this journey with some specific intentions, hopes and dreams.  I don't know if I found any answers along the way.  I think I gave up any need to find them fairly early on as I let myself just be fully present in each moment, not holding onto the perceived need to be still and silent.  Instead, I let myself wander and let the landscape speak to me.  What I did find, in looking back on the pictures I took, was that the images I captured seemed to focus mainly on doors and paths leading to who knows where.  Perhaps the perfect metaphor for the journey . . .









Monday, February 18, 2013

Doors and Perception

The Door by Miroslav Holub (trans. by Ian Milner) from Poems Before & After: Collected English Translations, second edition (Bloodaxe Books)

Go and open the door.
     Maybe outside there's
     a tree, or a wood,
     a garden,
     or a magic city.

Go and open the door.
     Maybe a dog's rummaging.
     Maybe you'll see a face,
or an eye,
or the picture
                      of a picture.

Go and open the door.
     If there's a fog
     it will clear.

Go and open the door.
     Even if there's only
     the darkness ticking,
     even if there's only
     the hollow wind,
     even if
                 nothing
                             is there,
go and open the door.

At least
there'll be
a draught.


This poem is one I can read over and over again and continue to find something new to ponder. Perhaps it's because doors are such powerful images for reflection.  I always seem to find myself taking photographs of doorways and thresholds when I travel. 

There are the inviting doorways . . .




Winchester Cathedral Close

and the ones that deny access.

Mosque, Old Damascus

 




 There are doorways that are forever closed . . .
Another from Winchester Cathedral

 

and places where walls are knocked down to create a way in.
 
Berlin Wall



 
Sometimes it seems like there are a lot of doors from which to choose . . .
 
Beittedine Palace, Lebanon
 
 
and at other times just one path.

Beaumaris Castle, Wales




Doors invite us to go beyond what the eye can see, to consider what is revealed and what is hidden, what is expected and what is unexpected, where there is light and dark, invitation and obstacles.  So what kind of door are you facing today?  And what do you expect to find when you open it?
 

Doorway and Lantern, Damascus








 




 

Monday, September 17, 2012

Superficially Autumn, Deeply Liminal

SONG FOR AUTUMN by Mary Oliver from New and Selected Poems:  Volume II  (Beacon Press) In the deep fall
don’t you imagine the leaves think how
comfortable it will be to touch
the earth instead of the
nothingness of air and the endless
freshets of wind? And don’t you think
the trees themselves, especially those with mossy,
warm caves, begin to think

of the birds that will come — six, a dozen — to sleep
inside their bodies? And don’t you hear
the goldenrod whispering goodbye,
the everlasting being crowned with the first
tuffets of snow? The pond
vanishes, and the white field over which
the fox runs so quickly brings out
its blue shadows. And the wind pumps its
bellows. And at evening especially,
the piled firewood shifts a little,
longing to be on its way.
 
Okay so technically it's not deep fall, although it is superficially fall here in the mid-Atlantic states.  For the past month the red tinge has crept from the tips to the base of the leaves on the dogwood tree in my yard while the cherry in our neighbors' yard is embarrassingly bare.  Maybe all the crazy storms we had this summer made its leaves want to jump ship and feel the comfort of the earth early this year. 

I've welcomed the early taste of autumn myself, with open arms and open windows.  I fall asleep to the song of the crickets and wake up snuggled underneath the comforter after nights of fairy-tale like dreams that have drifted in past the curtains on the back of the north wind.  I put sweaters on in the morning and drink a cup of tea or coffee with cinnamon in it to warm me up but by the afternoon I stand in front of the open freezer in my shirt sleeves to get ice for my water.

Autumn is my favorite season and it can't get here for good soon enough for me.  Yet yesterday at my favorite farmers' market I was  reminded of what a liminal time of year this is, an epilogue to summer and prologue to autumn at the same time.  Produce tables were laden with cucumbers, zucchini and peppers as well as kale, beets, and apples.  A smattering of melons and tomatoes were holding on as the winter squash and broccoli jostled for table space at a few booths.  I bought kale and acorn squash to make the first white bean and winter squash stew of the season and tomatoes and basil for a farewell to summer caprese salad.

Many people I know have remarked that this summer was over in the blink of an eye and I feel the same way.  I have a hard time remembering what activity filled my days from June - August, nor can I recall the sensations that usually signal summer-- the smell of newly mown grass, the taste of a ripe tomato warmed by the sun, the heat rising from the pavement scorching the soles of my bare feet.  Maybe I didn't actually experience these things this year.  Did I go outside barefoot?  Was my window open on every other Tuesday morning when the grass was cut? Perhaps not but more likely I just wasn't paying attention.  And as much as I love autumn, that realization is enough to make me want to hold on tightly to these last few threads of summer in the hope I can follow them back to some recollection of the past couple months.  

Liminal times are like open doorways that invite me to a particular kind of mindfulness where I am aware that I'm moving from one way of being to another.  One foot is in the past and one foot is in the future, and in the midst of the two is the present.  I can put my weight on one foot or another, superficially living in the past or the future, but true balance comes only when I live deeply in the moment. 

 

Thursday, June 9, 2011

Paying Attention

So, I've decided to start a blog. This isn't exactly revolutionary. There are probably hundreds, if not thousands of people who are starting blog on this very day. And to be honest, this isn't the first blog I've started. When I traveled to Ireland a few summers ago I blogged to keep friends and family appraised of my adventures. The following summer, Mulling over the Mullet became Wandering in Wales (and Syria, Lebanon, Berlin, Prague, etc.) as I had an opportunity to travel to seven countries in two months. But since then my summers have been spent at home and my writing on walls has been limited to an occasional comment about a friend's cute kid or the perfunctory passing along of birthday greetings on Facebook.

There was a time when I wrote on walls a lot. When I was three I constantly scribbled "stories" on the rough surface of the cinder block walls in the basement of my childhood home. My parents eventually gave me paper and my first grade teacher (appropriately named Bliss) gave me the encouragement to turn my experiences into stories, thus Terri Lynn, the writer, was born.

It seems fitting then, that all these years later, having just finished a doctorate degree in Spirituality and Story, I am drawn to writing on walls again. It's a coming full circle that I need to pay attention to.

When I was traveling, both in Ireland and in Wales, I took countless pictures of crumbling stone walls in old abbeys and churches. What all these pictures have in common is that in each there is a door or window that serves as the focal point-- a threshold providing a glimpse into a world beyond the wall.

The quote from Annie Lamott that I chose as the tag-line for my blog comes from her book Bird by Bird: Some Instructions on Writing and Life. Early on she talks about her students who "kind of want to write but really want to publish." She goes on to say that writing helps you pay attention, helps you wake up.

Wake up. Pry open the door. I first typed "pray open the door" and maybe that's part of this endeavor as well. Pry open the door, pray open the door, peek through the key hole, peer around the corner, look out the window. Pay attention. Write over the threshold. That's what this blog is about. My journey in writing over the threshold . . .